WORKS FOR THE STAGE

Music begins where the stage stops behaving.

For theatre, dance and performance, Ismo Laakso composes sound as a physical presence. Rhythm can carry a scene, history can mutate into electronics, and a human voice can remain beautiful while the world around it comes apart.

KEY COLLABORATIONS

Composition grows out of shared work: with choreographers, directors, performers and institutions over years rather than isolated productions.

01

Choreographer · long-term collaboration

Kirsi Monni

A central artistic collaboration spanning dance, theatre and new stage music. Selected works include Maan ääressä, Ofelia — commissioned by the Helsinki Festival — and Napatuulia.

02

Choreographer · dancer · composer

Ervi Sirén · Urmas Poolamets

Tässä olen grew out of close collaboration between choreographer Ervi Sirén, dancer Urmas Poolamets and Ismo Laakso. Reviews singled out the living dialogue between Poolamets’s movement and Laakso’s sound world. Review in Demokraatti

03

Director · choreographer

Ari Numminen

A sustained collaboration in which composition, movement and theatrical structure were developed together. Serenadi remains one of its defining works.

04

Performer · director · choreographer

Sami Saikkonen

Minna Tervamäki in flight during rehearsal for A Scene for a Man and a Woman — Third Encounter

From the uncompromising, entirely self-financed Rocky Horror Show and the exposed solo work Ter Minator to A Scene for a Man and a Woman — Third Encounter, performed by Saikkonen and Minna Tervamäki in Oulu and at Helsinki’s KokoTeatteri. Music from Ofelia Adrastea runs through the later work.

05

Composer · arranger · musical director

Turku City Theatre

An extensive body of work spanning more than one hundred stage productions across theatre, dance, opera and music theatre. The theatre was not an occasional venue but a major arena for years of composition, arrangement, conducting and collaborative stage-making. Turku City Theatre performance archive

SELECTED WORKS

Landmarks from a much larger body of composition, arrangement and musical direction for theatre, dance, opera and performance.

01

Dance

Ofelia

Choreographed by Kirsi Monni

Juha Hietakangas and Cris af Enehielm performing in Ofelia in 1996
Photo: Sakari Viika

Commissioned by the Helsinki Festival and premiered at Stoa on 27 August 1996. Music and sound design by Ismo Laakso; pictured are Juha Hietakangas and Cris af Enehielm. Source ↗

02

Dance

TEE

Choreographed by Urmas Poolamets

Urmas Poolamets performing in TEE
Photo: Jussi Virkkumaa

Urmas Poolamets on stage in Aurinkobaletti’s TEE. Source ↗

03

Music theatre / dance

12 Karamazovs

Directed and dramatised by Kristian Smeds · Musical direction by Ismo Laakso

The ensemble of 12 Karamazovia performing amid instruments, blades and theatrical chaos
Photo: Ville Hyvönen

A four-hour, through-composed stage concert created with students of the Viljandi Culture Academy. Premiered at Von Krahl Theatre in Tallinn in 2011 before continuing to Turku and a European tour. Source ↗

04

Opera reimagined

The Coronation of Poppea

Directed and visualised by Urmas Poolamets

The Coronation of Poppea performed aboard a warship under a red sky

Monteverdi’s drama rebuilt from the inside: rhythm, speech and recitative treated as one living theatrical mechanism. Source ↗

05

Cancelled

Dance / sacred music

St Matthew Passion

Choreographed and visualised by Urmas Poolamets

The black-clad ensemble of St Matthew Passion walking through a rocky landscape

Bach’s architecture enters a contemporary stage language, where historical material coexists with electronic rhythm and physical movement. Source ↗

06

Dance theatre

Crime and Punishment

Choreographed by Raija Lehmussaari

Music for Aurinkobaletti’s early-1990s production — psychological pressure, movement and sound folded into the same dark space. Source ↗

07

Music theatre

H8 – Renessanssiprinssi

Choreographed by Urmas Poolamets

Three overlapping stage scenes from H8 – Renessanssiprinssi

The letters of Henry VIII and his wives become fractured arias, concrete sound and acoustic architecture. The music later continued as the album H VIII. Source ↗

08

Dance / body suspension

Horse Heart

Created and performed by Senja Sidoro

Music for Senja Sidoro’s intensely physical work, placing body, emotion and sound under the same tension. Source ↗

“The score is not background. It is another body on stage.”

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