Choreographer · long-term collaboration
Kirsi Monni
A central artistic collaboration spanning dance, theatre and new stage music. Selected works include Maan ääressä, Ofelia — commissioned by the Helsinki Festival — and Napatuulia.
WORKS FOR THE STAGE
For theatre, dance and performance, Ismo Laakso composes sound as a physical presence. Rhythm can carry a scene, history can mutate into electronics, and a human voice can remain beautiful while the world around it comes apart.
KEY COLLABORATIONS
Composition grows out of shared work: with choreographers, directors, performers and institutions over years rather than isolated productions.
Choreographer · long-term collaboration
A central artistic collaboration spanning dance, theatre and new stage music. Selected works include Maan ääressä, Ofelia — commissioned by the Helsinki Festival — and Napatuulia.
Choreographer · dancer · composer
Tässä olen grew out of close collaboration between choreographer Ervi Sirén, dancer Urmas Poolamets and Ismo Laakso. Reviews singled out the living dialogue between Poolamets’s movement and Laakso’s sound world. Review in Demokraatti ↗
Director · choreographer
A sustained collaboration in which composition, movement and theatrical structure were developed together. Serenadi remains one of its defining works.
Performer · director · choreographer

From the uncompromising, entirely self-financed Rocky Horror Show and the exposed solo work Ter Minator to A Scene for a Man and a Woman — Third Encounter, performed by Saikkonen and Minna Tervamäki in Oulu and at Helsinki’s KokoTeatteri. Music from Ofelia Adrastea runs through the later work.
Composer · arranger · musical director
An extensive body of work spanning more than one hundred stage productions across theatre, dance, opera and music theatre. The theatre was not an occasional venue but a major arena for years of composition, arrangement, conducting and collaborative stage-making. Turku City Theatre performance archive ↗
SELECTED WORKS
Landmarks from a much larger body of composition, arrangement and musical direction for theatre, dance, opera and performance.
Dance
Choreographed by Kirsi Monni

Commissioned by the Helsinki Festival and premiered at Stoa on 27 August 1996. Music and sound design by Ismo Laakso; pictured are Juha Hietakangas and Cris af Enehielm. Source ↗
Dance
Choreographed by Urmas Poolamets

Urmas Poolamets on stage in Aurinkobaletti’s TEE. Source ↗
Music theatre / dance
Directed and dramatised by Kristian Smeds · Musical direction by Ismo Laakso

A four-hour, through-composed stage concert created with students of the Viljandi Culture Academy. Premiered at Von Krahl Theatre in Tallinn in 2011 before continuing to Turku and a European tour. Source ↗
Opera reimagined
Directed and visualised by Urmas Poolamets

Monteverdi’s drama rebuilt from the inside: rhythm, speech and recitative treated as one living theatrical mechanism. Source ↗
Cancelled
Dance / sacred music
Choreographed and visualised by Urmas Poolamets

Bach’s architecture enters a contemporary stage language, where historical material coexists with electronic rhythm and physical movement. Source ↗
Dance theatre
Choreographed by Raija Lehmussaari
Music for Aurinkobaletti’s early-1990s production — psychological pressure, movement and sound folded into the same dark space. Source ↗
Music theatre
Choreographed by Urmas Poolamets

The letters of Henry VIII and his wives become fractured arias, concrete sound and acoustic architecture. The music later continued as the album H VIII. Source ↗
Dance / body suspension
Created and performed by Senja Sidoro



Production photographs
Music for Senja Sidoro’s intensely physical work, placing body, emotion and sound under the same tension. Source ↗
“The score is not background. It is another body on stage.”
Related recordings →